Musings on Creativity in Teaching (Part 2: Lessons from Bananarama and Depeche Mode)

In the first part of this post we greatly criticised advice on creatively for jumping in at the deep end and urging people to try something differently. While we wholeheartedly agree with the sentiment, this approach comes too early in the process. Before you can do anything else, you really need to know your subject – and you need to know it well.

However, good subject knowledge alone does not make you creative – it might, though, help you to win Mastermind. Most teachers have good subject knowledge, but we would argue that too few keep up with research in their area (I once reccommended Charles Leadbeater’s book ‘We Think’ to a Economics colleague I met on a course, he replied “Hmm, I don’t really read about Business and Economics, it doesn’t interest me.” How can you effectively teach a subject that doesn’t interest you?). Once you have a base of knowledge you can more effecvtively add to it and make use of quirky stuff.

We believe it gets slightly more complicated though. Knowledge is great and will impact on your teaching – read Dylan Wiliam at the Association for Learning Technology Conference for proof – but it will not on its own make you more creative. For this you need to take a lesson from Bananarama:

It ain’t what you do it’s the way that you do it
And that’s what gets results

Teachers need to actively engage with research and writings about the process of teaching. They need to dive in and revel in the art of teaching. As deliverers of INSET, we often hear teachers talking about what they would like from a session, and invariably the majority say ‘Lots of practical tips and activities that we can use straight away.’ We can see the logic in this and it might have an impact on lessons for the rest of the week. This is want many teachers think that they want, but it is not what they need. As Geoff Petty puts it:

It is one thing to know what methods work, quite another to understand why. Without understanding why they work we are most unlikely to use them effectively. We will also be unable to criticise constructively our own and others’ practice.

His book and the now more widely known ‘Visible Learning’ by John Hattie make explicit what good teachers should be doing in the clasroom and back this up with the reasons why.

Understanding the mechanics of teaching is essential for being creative. Only when you understand what needs to be done and, more crucially why, will you be in a position to make a judgement about where a leftfield creative idea might fit in and be effective. Right now, teachers need to be reading and talking about Hattie and Petty – Neal has broken down part of Hattie’s research and included it in a teaching and learning newsletter that will go out to all staff (the section is called ‘Top Hattie’). In another publication (2002), Hattie lists the following top traits of expert teachers:

1. Expert teachers set challenging goals
2. Expert teachers had a deep understanding of teaching and learning
3. Expert teachers monitor learning and provide feedback

There are sixteen in total and they can be downloaded from Hattie’s website as a pdf. There is more research out there and we have made a list of some of our favourites on our innovative ict site.

Knowing about teching and being actively engaged with the way it fits together and why things work in the classroom is going to be more of an event than simply turning up. Think about the feeling you get when you decorate a room yourself. You could have ‘got someone in’ to do it, but when you have cleaned your brushes and step back to see the fruits of your labour it feels good – even if it did take the best part of two weekends. Why is this? Is it just a minor sense of achievement – as close to creating your own Sistene Chapel as you are going to get? In some ways it is, but is is also the fact that you did it yourself and you made it happen.It was you that laid out the dust sheets to protect the floor, you that cut in the walls at ceiling level, you that switched to gloss paint for the woodwork. You figured out what needed to be done and why and then you did it. Buying the right colour of paint does not get the job done.

The same applies to teaching. In a recent blog post Nick Dennis showed how subject knowledge and understanding the mechanics of teaching can be combined to form an effective lesson. He talks about the role of Technology in creating engagement and not just as another way for students to research.

What this illustrates is that teachers also need to be reading about their subject, and we really like the idea of using department meetings as reading groups. Give everyone the same book, read it and talk about how it can be used. It would cost very little – find something in the Waterstones 3 for 2 sale – and would have a massive impact on learning.

Okay, so all this would take up time and that is something we are all short on. What we will say is that teachers need strictly prioritise theb tasks they have to perform and reading both subject content and educational research needs to be near the top of the list. We appreciate this is hard and that teachers have a multitude of things to do, but research should be one of those things. David Allen is a respected Time Management Guru writing in Wired UK :

A vast majority of professionals are in “emergency scanning” mode. Their self-management consists of checking for and acting on the loudest immediacies – in email, in the hallways and on the phone. Everything else is shoved to the side of the desk, and to the back of their mind. Because they’re focused only on “priorities”, and are paying attention only to the most intheir- face stuff, everyone else has to raise the noise level to “emergency” mode to get any audience at all. Sensitivity and responsiveness to input are criteria for the evolution of a species; and many an organisation has a nervous system that keeps them low on the food chain…

I’m not voting for throwing strategy to the winds, nor giving equal weight to all the options of where you could put your focus. You’re always setting priorities by simply doing one thing instead of others. I’m recommending you strive to maintain a view of the whole picture, leaving nothing – little, big, personal or professional – uncaptured, unclarified and unorganised. Then constantly question what you think is the most important thing to be doing. Pay attention to the still, small voice that probably does know what needs your focus. Challenge the assumption that it always has to be the “most important thing”, which may be based on a preconceived strategy from a limited context.

It is not a simple task, but as Depeche Mode once said:

Is simplicity best, or simply the easiest?

If teachers want to be creative and teach outstanding lessons then they need to first become well read professionals, with a strong grasp of the ‘what’ and the ‘how’ of teaching.

[relatedPosts title=”Related Posts: ” num_to_display=”4″]

Musings on Creativity in Teaching (Part 1: Knowing Your Knowledge)

If you read most blog posts or books about creativity and becoming creative, they will tell you to read more stuff – step outside your comfort zone and try something new (for example, see Don the Idea Guy on Idea Lightning Rods and the brilliant book A Whole New Mind by Dan Pink).

There is nothing wrong with this advice, just that it is a step in a process that needs to start way before this. Reading lots will only make you more creative in the classroom if you know what to do with new ideas that have amazed you.

Finding inspiration from non-educational sources is a crucial step to being creative. New ideas are essential because they create a spark, a spark that ignites a link to a lesson or scheme you need to create. We have been urging people to read Wired UK for months now because it thrives on new ideas and people talking about ideas. We have harvested several from here and turned them into lessons (see our wallwisher on creativity for more ideas).

It is precisely at this point that you can come unstuck if you aren’t prepared. Knowing which ideas might work and where needs good professional judgement and a great deal of subject knowledge. Increasing what you know about the topic you teach has to be the starting point for any teacher wanting to be more creative in the classroom. From extended subject knowledge comes the advantage of selecting from a sources and strands, rather than just having one option – especially if this is a textbook that the students also have access to. If you can draw on web research or other texts, then lessons should become more interesting for the students. We recenrtly observed a fantastic GCSE lesson where a teacher started by saying, “You know we talked about ‘motivation’ last week? Well, look what I found on the BBC News website yesterday…” The students were intrigued enough to want to know more and we watched as a group of 15 year old boys sat and read an article about the news and then talked about it, offering opinions which theories in matched up to and why the techniques mentioned might work.

The teacher had done little more than type in a keyword to a search box, but the key thing was that they wanted to know more about the topic. Securing your own subject knowledge and being able to draw on a range of sources is the first step to creativity.

Here a couple of famous examples. The hip-hop star Jay-Z truns up to the recording studio without a single sheet of paper and then spits out an entire album of songs just from head. It might seem that the man is just incredibly gifted, and he is, but the recording is the last part of a long process for him. He speaks the songs in his head thousands of times before he commits to tape and refines them over and over, calling new influences and words along the way. When the producer hits the record button, Jay-Z has knowledge – both of how to construct a song and what each new track will be filled with. If Jay-Z had just read Mark Kermode’s Film Blog during his ride to the studio then the results would have been disastrous for his music (although he would have gained some insight into the workings of film censorship).

Eddie Izzard used to do something similar. He never created a script for his shows and gigs. He would make a board that contained ideas and topics, things that were in his head and talk around them. This was not simply improvisation, it was a aide to remember the main gags that were already in his head. What followed was a highly original and organic show that mesmerised the audience, but the craft and understanding of comedy and material was behind it all the time.

There is hard research to back this up too. K. Ecclestone has identified three levels of autonomy for learning. She suggests that before a someone can play around with ideas and interact with others, using them as sparks of inspiration, they must first possess ‘procedural autonomy’ – the nuts and bolts of the the subject; the language and the necessary techniques that create an understanding of how the subject works. Once this is achieved, creativity can be achieved because space has been created for autonomy of thought (Ecclestone, 2002).

This applies to creativity as well. In order to be creative, you need to understand your subject so that you know where the creative bits can fit without destroying the core of the learning within the lesson or scheme you are creating.

Reading new and weird things is great, but reading about your subject and finding a range of sources and stories is essential.

[relatedPosts title=”Related Posts: ” num_to_display=”4″]

Ideas for Encouraging Collaboration and Creativity Part II: how to brainstorm properly

If you are looking to start an innovations group either in your school or across county and you want to focus on a particular issue then you probably need to thrash out some ideas before you decide. A good old-fashioned brain-storming session will be great starting point for your collaboration. We also mentioned a few ideas about brainstorming and collaborating online in this post: How to collaborate virtually. Here follows a set of ideas which we use to work and plan together on projects, books or workshops and we feel they work very well.

Alien Worlds

The key to a successful brainstorming session is what you and other people bring to the table. So, let’s see what you have! Take out a piece of paper, a comfortable pen and list or map out your thoughts about this question for 3-5 minutes (be as specific as possible – you may need to break down ‘my experience’ to smaller chunks for example) :

What will I bring that will benefit the brainstorming session/planning meeting?

Now think about this question:

What will other people bring?

The aim is of course to have a varied group of people with different experiences but that is not possible all the time so what do you do then?  If you want to ensure that there is a constant flow of creativity within the group try to:

  • Read different literature e.g. books that indirectly have little to do with your area of expertise (see the end of the post for suggestions that will encourage creativity and innovation).
  • Subscribe to an inspirational magazine e.g. WIRED UK
  • Investigate new music and art e.g. try iTunes Essentials, Live365 or Spotify for new music, visit Banksy’s website to get inspired with street art, learn something new at LifeHacks or discover how almost anything works at How Stuff Works.
  • Give each member of the group a new persona, or role to play based on Tom Kelley’s Ten Faces of Innovation to really push yourselves to become more innovative (read this post about using Ten Faces of innovation with students).

Building up a portfolio of ideas takes time and a lot of hard work so it is important get into a sort of routine of collecting and recording as you go along. List books you want to buy, rip out magazine articles, save online using tools like EverNote or Awesome Note, note down quotes and words of wisdow or interesting websites. These might be invaluable one day.

The Idea Board

The idea board is a place where you add not only your ‘light bulb’ moments but also what may seem like minor ideas at the time. One such way could be to keep stickies nearby, adding notes to a Moleskin sketch-book, use your mobile phone to save thoughts or keep a washable mini-whiteboard in your office. Most of our ideas have come from some of these fleeting thoughts, and this plays a crucial part in the creative process.

Dumping Ground?

There are different ways of brainstorming, some structure their chaos by adding, ‘dumping’, all their ideas and suggestions on a long list – the more words the better. ‘Dumpers’ then organise their additions on a mind-map and can therefore categorise and group ideas more easily (this method is explained in more detail in the book Thinking Skills and Eye-Q).

Another way is to assign a scribe and everyone throws suggestions at them to write down on a flip-chart or similar. The key thing here is that there is no order except from the fact that the scribe ensures that all voices are heard – quantity is important here, not quality (well at least not yet!). Don’t be put off if all your ideas seem impossible or even stupid, because they are not. Think of each suggestion as a stepping stone to the team’s final idea and without these initial thoughts none of you would have got anywhere, so keep thrashing out ideas but leave the devil’s advocate outside (at least for a while).

Distance and Fuel

If you prepared well by stimulating your mind and recorded your thoughts of inspiration on the Idea Board as well as filled your dumping ground, or not, with lots of interesting (and let’s face it, not so interesting ideas), now is the time to take a well deserved break. Distancing yourself from all the suggestions, ideas, solutions and problems as well as refueling on coffee, water, biscuits and food is crucial if you are to come up with a truly innovative idea. This may only involve going for a brief walk, ordering a decent espresso or ‘sleeping on it’, you know what works best for you. But don’t skip this bit, you might regret it.

North or South?

This is the time to decide which way to go or what idea to run with and it might take some time. We have found that running with one seemingly obvious idea sometimes leads to the actual idea, perhaps one that was mentioned at the start of the process. Yet, this is not wasting time as without this creative activity we wouldn’t have thought of the end product and it’s always different to what we thought – but very exciting!

Creative Books

Here follows a list of books we have read and used often when we meet up to work. Some are just for inspiration whilst others have become great guides for us both.

The Ten Faces of Innovation: Strategies for Heightening Creativity

Dan Pink: Drive The Surprising Truth About What Motivates Us

Harris, Caviglioli, Thompson: Thinking Skills and Eye Q: Visual Tools for Raising Intelligence

Banksy: Wall or Piece

Steve Jobs: The Presentation Secrets of Steve Jobs: How to Be Insanely Great in Front of Any Audience

Alain de Botton: The Pleasures and Sorrows of Work

[relatedPosts title=”Related Posts: ” num_to_display=”4″]

Ideas for Encouraging Collaboration and Creativity Part I: how to collaborate virtually

How to collaborate virtually

If you are working in different geographical areas and struggle to meet regularly then you need to find easy yet effective solutions to ensure that your collaboration does not suffer. Also, these ideas work well if you simply wish to kick-start the collaboration before meeting. Here follows a series if ideas that could help maintain a continuous creative working relationship:

Wallwisher: the creative wall

tips on being creative
Wallwisher.com: great for sharing ideas – click to view example

Wallwisher.com is an online notice board where you create the content by adding interactive stickies to the board. This online tool is superb to use get the creative flare sparked up amongst colleagues. Sign up and start your own wall, then your co-workers can upload images, share ideas and links. Wallwisher is ideal to use a couple of days before the big planning meeting as it gets everyone thinking, then you start the meeting by going through the team’s examples.

The Creative Blog:

Blogs are commonplace nowadays and the list of blogging software is growing steadily and it’s fairly straightforward to set one up having little or no coding experience. The idea behind the creative blog is to keep a running discussion on a key issue, and change the issue regularly. For example, one school comes up with the topic for discussion and the teachers share ideas by adding comments. One particularly good way of keeping the creative flow going is to have regular times when staff or departments add their thoughts e.g. at Department Meetings. At the end of the set time frame, e.g. every half term, the post is printed to PDF or Issuu /ZinePal for easy sharing and to put the creative thoughts onto paper.

Simple Video-Conferencing:

Meeting detailsYou might have tried to do video-conferencing but you found it slow with poor audio and video quality? Although some methods are still annoyingly poor, some tools are in fact very good e.g. MikoGo.com . This service is not only free but also very straight forward and all you have to do is to register and download the MikoGo widget which you use to meet online.

Each time you want to start a session simply launch MikoGo and copy the session ID and then email/phone whoever you are meeting with and they enter the session ID – done! If you are doing vid-conf individually then inbuilt or basic webcams are fine. However, if you want to capture more than one person you’d benefit from a Point Tilt and Zoom video camera. They can be pricey but there are cheaper alternatives. The PTZs are great as they enable you to involve people around the room by ‘Pointing’ the camera and then zooming in on the person.

Collaborative Mapping:

This process is simple and only requires the people involved to sign up to a mind-mapping website that allows for sharing and collaborating on the same mind-map. There are many such tools available like for example:

CoMapping.com $25/year (approx £15): This is a superb tool as it gives users the possibility of collaborating on the same map at the same time.

Bubbl.us Free: Another solid application where people can work together on the same maps although not at the same time.

The strength of these types of online tools lay in the opportunity to sketch out rough ideas whilst at the same time build on each others’ thoughts. Many of such mind-mapping websites also give users to possibility of uploading images, adding links and even documents of various kinds. These more powerful features tend to involve a nominal charge, like with CoMapping (or MindMeister.com), but it is worth the money spent as you can lead, develop and collaborate on very large projects quickly and easily without much delay or complications. We have worked with both teachers and students on different projects and everyone agrees that it made collaborating more engaging and efficient – students benefited greatly during group work particularly when it involved a longer independent learning project spanning across a half-term as they could continue to work from home or simply just uploading documents, images and audio files to use when they returned to school.

If you haven’t tried any if these ideas yet then why not use one or two of the examples with a current collaboration, you will not regret it.

[relatedPosts title=”Related Posts: ” num_to_display=”4″]

Getting creative with SEN

Today my Year 9 low ability / SEN class made this:

Collage created by Year 9 at Copleston High School
Collage created by Year 9 at Copleston High School

It was the result of a lesson that started by analysing current adverts for their message. We then went on to look at the story of Kitty Eckersley and why her husband joined the Army.

Next, we brainstormed (properly – in fours and in silence, then sharing!) why men might volunteer to fight. With a little help, we came up with four ways that the government might try to persuade people to ‘join up’:

– Patriotism
– Anti-German messages
– Heroism
– Shame

Students then looked at six posters from WWI and identified one of the four elements within them, choosing specific parts and not whole posters.

As an extended plenary, students used the free form capture tool on the whiteboard to cut out the areas for their theme and designed new posters using the bits they had selected. We were able to save it as an image and print it out.

For homework, the students are comparing the posters they created to the Kitty Eckersley story and identirying which of the four methods most influenced her husband.

What was really good to see was students making informed choices and debating whether certain sections could be included under two headings. By allowing the creative task to come to the forefront of the lesson we unlocked a new set of thinking: students were thinking about the interplay of images and text, as well as how to create an overall effect. They got an end product and were willing to invest time in making it look good. Also, they wanted it to work.

[relatedPosts title=”Related Posts: ” num_to_display=”4″]