Making Learning Relevant: using street art in lessons

I came across a Tweet by DLFresources which showed four new pieces produced by the interesting street artist Banksy. Using graffiti in the classroom does not go without controversy but it does give us the opportunity to examine why artists and ordinary people, ever since the Roman times, have turned to producing messages of various kinds on walls and buildings in their own surroundings. Banksy is a prime example of how graffiti artists mirror their view of a particular aspect of society in their work. There’s a brilliant opportunity for students to learn from studying street art. Take a look at the examples below:

Banksy piece 1
Banksy piece 2

We could begin by asking why a specific piece has been created in a particular way and what the artist is trying to convey. Perhaps an even better idea is to allow students to create their own pieces which reflect e.g. the most significant time period in history (piece 1), a critical eye on environmental politics (piece 2), or the dark side of tourism. This requires them to really think about the core of the message they are trying to put across. Alternatively get students to think of headings to existing artwork, for example what could they name these Banksy images:

Caption/Title?
Caption/Title?

Using street art in the classroom is an excellent opportunity to involve students in something many of them are already familiar with whilst at the same time introduce them to new ideas and concepts that could otherwise be difficult – in true ‘sticky’ style : ) . As a side issue, it’s also worth exploring the history behind graffiti and why we, ‘humankind’, has always expressed ourselves through drawings on everything from cave walls, in catacombs, on ceilings, city walls and buildings.

You can explore more of Banksy’s work in his book: Wall or Peace

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Planning GCSE with a smile

GCSE is a bit like going to the dentist for a check-up: you know that it is good for you in the long-run, but it leaves such a horrible taste in your mouth. Every so often it is worth going back to basics and designing a course from scratch. In this way you can ensure that it is enjoyable and contains learning that has real worth. The TEEP cycle can offer assistance when trying to achieve this not just for lessons, but in planning a whole scheme. Outlined below are six easy steps for creating a scheme of work that challenges students and makes GCSE much more rigorous:

 

1.       Prepare for Learning

The Big Picture is essential – both for teachers and students. Without it, the learning becomes a series of virtually independent chunks that bare no relation to each other. Planning without the big picture tends to produce a scheme that is heavy on content and light on memorable learning. From the perspective of the students, there is little to hang on to.

Firstly, a big idea or question is needed that will guide students through the work and offer them a line to pin their new learning on. Questions work well, because they encourage an answer and this in turn leads to better engagement. A unit on Crime might be approached with the following question:

 

Is Britain more violent and crime ridden than it has ever been?

 

The first lessons in the scheme – your way of grabbing them and getting them to think as soon as they came through the door – might focus on creating a debate or dilemma. For example, cutting out reports from newspapers about crime and creating a class montage helps to establish how the topic is viewed by the Media. This can then be analysed for dominate themes, e.g. crime is violent, on the increase, involving more children, more sexual in nature, etc. Offering an alternative viewpoint to this forces students to think about the following content and filter it through the debate. They will need to ask questions of and engage with the materials you provide.

When students see Steven Pinker providing an argument that the world is less violent than it has ever been and saying he can prove it, the reaction is always one of shock (see the film at http://www.ted.com/talks/lang/eng/steven_pinker_on_the_myth_of_violence.html). This approach establishes a real problem that students will want to spend the unit investigating.

 The students will now be thinking about the topic and actually caring about its contents – for a moment they might actually forget it is a GCSE exam unit.

  

2.       Agree Learning Outcomes

The next step should be to establish how the question is going to be tackled. In lessons teachers discuss the content, process and benefits, and extending this to a whole scheme helps to increase understanding. The content is easy, you have a Big Question and the specifications state the boundaries. The process might take a little longer, but agreeing on a logical framework in order to answer the question is needed to assist understanding. Equally vital is identifying the skills needed and tools at hand. Now for the benefits. Exam preparation is a clear one, but then unpicking other benefits can lead to greater motivation among students. This is substantially easier if the big question is rooted in a real and genuine problem.

 

 3.       Present New Information

Before launching into the content proper, overview activities encourage students to make links and tease out the key words and ideas in the topic. This process allows students time to familiarise themselves with the topic before they begin. It is a chance to embed the main ideas of the unit. It could essentially be seen as an early revision opportunity.

 ‘Chunked up’ learning and creating mini-enquiries, each with a question and a relevance to the main enquiry will also help to aid understanding and maintain interest. Tackling the smaller parts makes it more manageable for students and allows for regular review of the Big Question. These reviews can be linked to exam question practice that will allow staff the track and monitor performance.

 

4.       Construct Understanding

Content should be delivered through a range of activities that engage students with problems to solve and hypotheses to test.

For example, mystery activities can not only deliver new information, but provide dilemmas that engage students in the process of analysis. This Billy the Kid Pardon Activity gets students working on a real life dilemma from 2007.

 

5.       Apply to Demonstrate

Each section of the course can be concluded with activities to extend thinking and help students piece together information to answer the Big Question. One strategy for this is model making. The models can physically represent the information in a way that was easy to remember. It could be as simple as making a hat for each part of the course, where the inside, outside and brim all represent something different. Another strategy is to use concept maps and get students to make links between the key facts within the section. Links help with memory and develop understanding.

 

6.       Review

Starting the year with a blank display board and gradually added work, evidence and models under the Big Question is a great way to keep track of learning and develop a clear approach. Reviews in each lesson should be easy to plan as teachers can refer back to the Big Question and discuss whether an answer is anywhere near being established. Answers can be unpicked to see how students have come to their conclusions. The strategies they used can be recorded for future use, creating a kind of GCSE toolkit for them to refer to and use.

A unit can seem like a long time, but sandwiched together it is only about twenty four hours (of teaching). However, leaving students with an activity that is creative and exciting will help with positive feelins aout the work. The tendency can be to assess at the end of the unit, but this does not always provide students with an opportunity to look at a unit in its entirety and make sense of it. Neither does it provide a natural high with which you would want them have. No actor would want to go through weeks of rehearsals only to find they were writing the programme notes. It doesn’t have to be grand, just fun and cover the whole unit. Making a song about the topic set to an appropriate tune would be simple and not very time consuming, but it would also be memorable. 

The process of learning at GCSE should engage students and focus them in a way we expect from Key Stage 3. They must feel part of the learning and care about the final outcome.

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Create meaningful and relevant stories with a difference

Add stories, photos and sounds to map
Create living maps with sound, stories and images

One way of creating meaning and relevance behind stories is to use illustrations and photos of various kinds. An even more powerful way is to add sound to a story to really capture a particular moment or event. Imagine including all of these features and add them to the exact location on a map. This is what MapSkip offers its users: create stories around a particular place.

After registering with the website find a location you wish to write about, for example the Normany landings in 1944 or example of coastal erosion on the North Norfolk coast, add a ‘marker’ in the shape of a hand and a small box with a form will appear and you can give the place a name. Now you can also upload a photo or drawing, and why not include an MP3 file which captures the fierce fighting during D-Day landings? Another good idea could be to create longer investigations with a class and keep adding to the map as you work through a unit, for example as they discover more about an individual’s journey, they can create a very detailed, meaningful and relevant story about this person.What about producing sound-trails or interviews from your locality and add them to your map like a local study?

Imagination is everything with this tool and students tend to think of 100s of ideas about how they can demonstrate their understanding of a topic or unit. This is a superb educational tool and one worth exploring further.

Educational Mashups part two: The 30 Circle Test

This post refers to an previous post added in July on  educational mashups.

Students need to see how units of work tie together, link up, sequence and that there are recognizable patterns across what they have learned. It is of course our job to do this well but sometimes it can be very hard to make it concrete so that students understand. This is when the 30 Circle Test can help. We have adapted this activity for education from a task invented by IDEO, an innovative design company in the US (please watch Tim Brown’s talk on TED.com to see how they use it).

The 30 Circle Test

The 30 Circle Test
The 30 Circle Test

The key behind this activity is to get students thinking about the bigger issues and how they link together.

Print off a copy of the image/worksheet for every learner. Give them a Unit or Course area e.g. Surgery in Medicine through Time and give them 60 seconds to draw everything they know about the topic or unit. Students are not allowed to write anything just draw. Notice that quantity not quality is key here, so sketches rather than Monet will work better. Then get them to compare with each other and talk through what sort of items they have added to their 30 Circles – probably not many… Allow them time, round 7 minutes, to finish their drawings. Then in pairs ask students to compare with each other and give them a new 30 Circle sheet and get them to produce a new piece using their (can also be three students involved) previous ‘circle drawings’. It is important that they have established what the core of the topic or Unit is and what the key issues are for the activity to work so it needs to be guided by the teacher.

Works every time.

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Educational 'Mashups' part I

I came across a very interesting feature in WIRED UK (Agust 2009) on Peter Funch. Funch is a photographer and uses a very particular method when he creates projects, namely, shooting a series of images from the exact same location then examining them for commonalities. He will then mash together what he considers to be the key theme amongst the hundreds of images and the result is astounding. Take a look at the image below for example to get a flavour of his work.  You can visit Peter Funch’s website to view his fantastic portfolio.

Peter Funch
Blood Code from Peter Funch's Babel Tales

What’s particularly interesting about this way of working, especially for us teachers, is the skill of synthesizing information as well as blending features together to create a new learning experience. We can  challenge students to think more laterally, holistically, about the way they view ideas, concepts, problems and so on. For example, provide them with a range of resources, like texts or statistical information and ask them to explore what key themes or messages might be hidden in the depth of the material given to them. Educational mashups can easily be created and Funch’s examples can give students a more concrete insight into what we want them to achieve with other material such as text.

It certainly is worth exploring.

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