How Stories in the Classroom Can Lead to Meaningful Learning

Extract from The Exam Class Toolkit: How to Create Engaging Lesson That Ensure Progression and Results (Continuum)

The following story was emailed to us recently. At first it may seem just like a
funny story, but if you read between the lines, it raises several interesting
questions. Can you spot them?

An old Maori man lived alone at his family home out in Ruatoria.
He wanted to dig his kumara garden, but it was very hard work.
His only son, Hone, who used to help him, was in Paremoremo prison.
The man wrote a letter to his son and described his predicament.

Kia ora e Hone,
I am feeling pretty bad because it looks like I won’t be able to
plant my kumara garden this year.
I’m just getting too old to be digging up a garden plot.
If you were here, all my troubles would be over.
I know you would dig the plot for me.
Aroha nui
Papa

A few days later he received a letter from his son.

E Pa,
For God’s sake! Don’t dig up that garden, that’s where I buried the BODIES.
Love
Hone

At 4am the next morning, Gisborne C.I.B and the local police showed up with a search warrant and dug up the entire area without finding any
bodies. They apologized to the old man and left. That same day the man received another letter from his son.

E Pa,
Go ahead and plant the Kumara.
That’s the best I could do under the circumstances.
Love
Hone

When we received this story we were thrilled and used it immediately. It has so much potential for the classroom; you could use it to investigate the power of language and its uses, to look at motive, to understand character, or reactions
(human or chemical). Think about how powerful this story would be as a starter in a lesson.

Letting Go: Student Designed Project Based Learning

Listening to the stories of Holocaust survivors is always inspirational, but today (Tuseday 25th September) was more enlightening than usual.

Along with colleague Rosie Sheldrake, I took a group of Year 9 students to an oral history event at Essex University, in memory of the late Dora Love. The original plan was to give students access to quality material for a Holocaust project that we would define later, however, as the day unfolded, we decided to hand over the whole process of project design to the students – something we have not done before.

Below is a quick explanation of how we went about it…

Firstly, we asked what elements of the talks had really struck students and why. Next we explored the title of the session, ‘Building Bridges,’ and began to form these vague words into ideas.

We then divided the students into four smaller groups and asked them to formulate an idea for a project. The only restriction was that it must comply with the first four of Steinberg’s ‘six A’s’ of project based learning: authentcity, academic rigour, applied learning and active exploration. We were confident that they would come up with some decent ideas, but I did not know whether they would be able to make it rigourous enough to stand up to school and real world assessment. These Year 9s were more than up to the task and came up with some fantastic ideas.

Before sharing we got students to SCAMPER their project ideas to firm them up and explore avenues that had not occurred to them in the initial planning. Essentially it took the place of a good project tuning. While not quite as as effective as a tuning, it did force groups to scrutinise their ideas and three of the groups made substantial changes. They then posted up their final ideas on a whiteboard for critique.

You can listen to the final presentation of ideas below:

HDV_0210
HDV_0211
HDV_0212
HDV_0213

Within two hours students had created a project idea that combined many of the elements outlined above. The main idea is to create a set of plinths in front of a mural. These plinths will contain a history of different types of discrimination. People who have experienced abuse will be invited to come and stand on the plinths, tell their story and record their hopes for the futures. All this will be captured on a rolling film. This is ambitious and exciting, but it makes our genuinely engaging learning. They will need assistance with the managing of adult relationships and assessment, but we are planning to give much of this responsibility to Year 12 student leaders.

What I like most about this project is that the learning will unfold as the project progresses; students can create the history plinths, but have no idea who will come and tell their stories. It will create a real bond with the community and foster attitudes of understanding. If she were still with us, Dora Love would be incredibly proud.

If you could change just one thing… you would be creative

Sometimes we think to much about being creative and come up with all manner of elaborate schemes to engage and excite students. Sometimes it might be better to take a step back, look at the basics and change just one thing…

In the last week of term we decided to do some lessons outside. In fact, we did a day outside, complete with lunch cooked by the students on fires that they constructed themselves.

There was a lot of smoke and, more importantly, a lot of laughter. The day was a great success and this was down to three things:
1. Change of scenery
2. New element or angle to the work
3. Different students coming forward to contribute

The change of scenery started out as a way to help students gel and mix with a wider group. However, it actually energised their thinking. The task was a mystery, but instead of clues on paper they were spread around an orienteering course. This meant that students had to locate the clues before starting to piece them together. The route they chose affected the clues they reached and therefore their answers. This made the debrief fascinating, especially since unexpected students were coming forward to voice their opinions. The ‘outdoors’ element completely threw some students who are usually good at this type of thing, whereas a few ‘quiet’ individuals were vocal about the way they had tackled the orienteering part. The whole exercise reinforced the notion of variety being vital in learning. The change of senery meant skills not normally seen in the classrooom were needed and the students loved the chance to demonstrate them. One young man is autistic and finds it hard to cope with the lively nature of life at school. He can be thrown by last minute changes to his day, but here (due to his scouting background) he was confident and a real leader.

We will definitely be doing this again and coming up with new scenarios to challenge students.

Related Posts:

Shred Their Work: or Reflections on Student Motivation

Don’t care Sir : or the importance of feedback

Spend a few seconds pondering about this thought experiment:

You work as a resource creator in a school. This means that you create exciting new PowerPoint presentations every week that include challenging tasks, inspiring images for discussion and so on. You are very proud of your slides. At the end of the week you hand over your beautifully crafted presentations to your Line Manager who deletes them without even looking. This happens weekly but you get paid a handsome salary. How do you feel about this?

Let’s turn this story on its head and pose this scenario instead:

You are a student in a school. This means that you will create, produce and complete a series of tasks and activities. At the end of the week you have handed in more than five pieces of work. You feel very proud each time a piece of work is handed in to your teacher. Next lesson your work is returned to you. It does not contain any comments or feedback about your masterpiece. This happens in most lessons and you are forced to do this weekly. How do you feel about this?

Providing feedback is an essential ingredient to ensure that students’ motivation is maintained otherwise there’s little point in working hard and trying to achieve. Their intrinsic motivation is heightened each time they receive critical and positive comments in their work, more so than if we try to convince them that it’s important they work hard otherwise they won’t get a good job. It is the immediacy that is the crucial factor in them progressing and becoming more motivated.

Providing good feedback:

1. Refrain from commenting on all work as it might become repetitive and meaningless

2. Acknowledge that you have seen their day-to-day classwork with a tick or stamp

3. Select milestone tasks e.g. an end of unit task that you mark and provide detailed feedback using the power of Assessment for Learning (we wrote a lot about effective assessment ideas in our last book). If you haven’t decided on these milestones as a department then we encourage you to do so first.

4. Hand back work as quickly as possible so that students link the homework/assessment with your feedback.

5. Allow students time re-draft work or parts of work based on the feedback you provided them – this is a concrete way to make them see their own progression.

For more ideas about engaging and purposeful assessment see this extract from our book Exam Class Toolkit

Shred it : or why praise really matters

In the brilliant book The Upside of Irrationality , Dan Ariely and his team investigate the relationship between motivation and a person’s meaning to their work. In this experiment they created a sheet of paper with a random sequence of letters on them and asked particpants to find instances where a letter ‘S’ was followed by another letter ‘S’. They were told that each sheet contained 10 instances of consecutive ‘S:s’. Participants were to find all ten instances of the S:s to complete a sheet. They would be paid: 55 cents for sheet 1 , 50 cent for sheet 2 and so forth until they got to the 12th page where they would receive nothing.

Three conditions were examined:

1. The Acknowledged condition:

In this control group participants were asked to write their names on each sheet prior to starting the task. When a sheet had been completed it was handed over to the researcher who would examine it carefully, nod and show their appreciation of the participants work before adding it on top of a pile of paper.

2. The Ignored condition

This group would complete the same task as the previous group but were not asked to write their name on top of each sheet. When they handed over a completed sheet the researcher took it without saying thank you and without looking at the sheet before adding it to a stack of paper.

3. The Shredded Condition

Unlike the the other two conditions, this group would hand over their sheets but instead of placing it on top of a pile of paper, the researcher placed it in a shredder without even glancing at it.

The results were rather interesting. As you can imagine, the ‘Acknowledged’ condition completed more sheets of paper than the ‘Shredded’ condition after payment had ceased. In fact, 49% of participants from the former condition completed 10 or more sheets compared to 17% from the ‘Shredded’ condition. Interestingly, the average number of sheets produced by the ‘Shredded’ condition was virtually identical to that of the ‘Ignored’ condition where 18% managed to produce 10 sheets or more after payment had ceased. So there was no major difference between the group whose work was destroyed and the group that was ignored.

In a school context this is a no-brainer: if you want to lower motivation amongst students then either bin their work or don’t bother to look at it. On the other hand, if you wish to motivate them, give them praise and acknowledge when they have produced something good. But if you think about it, it’s more complex than that. If you provide students with thoughtful praise and feedback rather than simply giving them a grade, they are more likely to work harder because of the effect of meaning on their work. It becomes clear to them that their effort was worth it. As teachers many of us crave recognition for our work either from colleagues, Senior Leaders or from our students. This is the reason why being a teacher is a bit like a roller-coaster ride, there are constant ups and downs depending on the amount of praise we receive. Being a student is more difficult, going from lesson to lesson up to five hours a day, working, listening and contributing in different ways. Acknowledging what they have to say and what they produce will ensure they don’t feel like we’re shredding their work.

IKEA School: or getting students involved

If you open a jar of pre-made of pesto and add that to pasta, how far would you feel pride over your creation? Not much we could assume. How about if you blend together some fresh basil leaves, olive oil, garlic, pine nuts, a dash of chili-powder and then add that over a bowl of fresh pasta? The feeling is probably rather different. You might even insist on finding out what other people around the dinner table think of your culinary skills? The difference between the two scenarios is simple: you were not involved in the former whereas you were in the latter. On a similar note, if you’ve ever constructed furniture from IKEA perhaps you would agree that you felt rather chuffed with yourself both after completing the piece of furniture and a long time afterwards (maybe each time you look at it?). This is the ‘IKEA effect’, if you get something for free you may not enjoy it as much as if you had been involved in its creation. So in this respect, effort creates long-term satisfaction and motivation. The question is of course, how much effort do students have to consume before they take pride in their work if the IKEA effect is to be true?

Johannes taught a top-set Year 9 about why some events are more significant than others throughout history. Their final piece of work involved creating a memorial of a person or event they regarded as ‘significant’ that they had studied over the past year. As part of the work they have to consider the following criteria:

  • convince fellow classmates why your event should be labelled ‘significant’
  • construct your memorial (model, text or more abstract e.g. ‘a day’)
  • present your creation to the class

The outcome of this project was interesting. Although this class by nature was hard-working and dedicated students in general, something changed during the span of this extended task. As part of the activity they had to construct their memorial by first producing a draft which their teachers reviewed, complete the memorial, write a script as well as prepare some form of presentation. Those segments of the task were straight forward and students were used to working in that way. The change came when they were informed that there would be an exhibition where they would present their work to passing visitors and that these ‘visitors’ would grade their work based on agreed historical criteria of ‘significance’. The impact on meaning of their work and therefore on motivation showed a marked difference from that moment on. They had, in many respects, built a piece of work from scratch and after much research on the subject. Now, faced with yet another challenge they were to meet their peers who would evaluate this construction. The pressure was on.

The final exhibition was a real success. Students spent the best part of a lesson to prepare and then exhibited their work the following day. Each student had a small area where they would display their piece, many used computers as they had created movies, 3D Models, presentations and so on. Visitors started walking around the various displays filling in their evaluation sheets, asking questions or generally commenting on the work on display. When the first group of visitors had finished, the class swapped so exhibitors became visitors. All students had also been given a sweet which they would give the memorial they felt signified the most significant event/person. At the end of the task we got the class together and talked about their experience. They commented that they:

- were very nervous about being critiqued by their peers
- needed longer to create their piece of significance next time
- felt proud over their own but also classmates’ efforts
- enjoyed thinking about everything they’ve studied
- had been challenged to think

From a teacher’s perspective learning happened on different levels. In terms of skills students moved up Bloom’s Taxonomy and tackled the difficult skills of both evaluation and synthesis when they used their understanding of the whole of year 9 history, planned and constructed their ‘memorials’ as well as critiqued others’ work. Students really worked hard at trying to convince each other that their memorial was the most accomplished one. But perhaps most importantly, students wanted to do well and they were motivated by the opportunity to show off their work to classmates. Although the challenge of public speaking could have added negative stimulus in terms of social pressure but because they talked to individual ‘or pairs of visitors’ this never occurred.

When the class took an end of year survey several weeks later about their views on the subject as a whole the vast majority commented that the memorial task and others similar to it were the highlight of the year.

There are other ways where we can involve students more actively in their learning so that their effort creates long-term satisfaction and motivation – the IKEA effect – for example:

1. Students get involved in the production of resources

2. Involve the class in deciding on the layout of the VLE or Department website

3. Why not get students involved in teaching mini lessons? We wrote about getting students involved in teaching lessons in one of our books.

Using the power of Student Voice and consider how you can plan lessons with more active involvement from your class are important components in increasing motivation amongst students. We don’t have to go to the extent of shredding students’ work to demotivate them and decrease learning, ignoring to use purposeful praise and meaningful feedback will have the same effect.

Related Posts:

Who’s down with CPD? Creative ideas from the TEEP Trainers Conference July 2010

CPD can be horrendous, both for the audience and the person at the front. Some teachers seem determined to totally resent it, probably due to bad experiences in the past, but schools must still provide five days of stimulating training a year. This is where the problems begin: what professional development to you offer and how do you engage most of your audience?

Fitting the pieces together

The TEEP (Teacher Effectiveness Enhancement Programme)Trainers Conference in York set out to explore some possible solutions to this issue and outline several models that provided creative solutions to CPD. Below I have outlined five approaches that came from the day. I am not in favour of any particular model, but wanted to start a debate on alternative ways to look at teacher training (look forward to reading your comments).

MODEL 1 – Lead Practitioner (SSAT)

TEEP needed to expand and so it has just been taken on by the SSAT (Specialist Schools & Academies Trust). They opened the conference with an intriguing and exciting proposal: aligning TEEP with the Lead Practitioner Accreditation. This is an online self-assessment tool that allows teachers to move through four stages of development, leading them from good individual practice through to being able to lead others in their development. As each of the criteria are meant, the teacher ticks the box and uploads evidence to support the statement. The accreditation comes after the fourth stage, where the portfolio that has been created is externally assessed and feedback given. The process demands real CPD, with teachers having to back to the  tool at regular intervals, moving through the stages and finding evidence. The reward for a quality portfolio is Lead Practitioner status (not automatically given) and membership to a network of other people in the same position (see website for details).

Schools have used this approach to their advantage. Take Lodge Park Technology College, who have created a CPD package that contains Lead Practitioner Accreditation. Staff who achieve the award go on to lead learning and teaching in their faculty, or take on whole school projects – their recruitment page makes interesting reading. At All Hallows Catholic Collegethey have used TEEP and Lead Practitioner status extensively and senior leaders say that it has improved the CVA and the number of good/outstanding lessons. The result has been that the school has shifted from ‘special measures’ in 2006 to a much healthier position now – see the Ofsted reports for details. Both schools have seen massive benefits to introducing a more sustained model of CPD and reaped the benefits in terms of outcomes.

MODEL 2 – Taster and Twilight (Hartlepool)

People can quite cunning and two teachers form Manor Collegeshowed just how much with their approach to lure teachers into CPD. They set themselves an ambitious aim: to create meaningful CPD, but also to engage people with the process. Firstly, they created an exciting and rigorous PD day that served as a taster for the CPD that was to follow. It involved activities about group work and staff creating presentations about the key ideas behind their programme (in this case TEEP). At the end of the day, all staff were given the opportunity to take on a TEEP Level 1 qualification to further explore the strands raised on the taster day, to be delivered in five twilight sessions of two hours each (a fairly big commitment).

There was no shortage of takers and group started to run. The trainers made sure that the twilights were a real ‘experience’ hitting the participants visually and emotionally, making it fun as well as intellectually demanding; they even drafted in a  small army of students to evaluate some of the work the group created. The whole process created a buzz around school, as did the quality of the teaching now coming from this pioneer group. The result was a clamour from other staff demanding twilight training and to be part of this approach. The key to its success are engaging staff and making want this training, both through the taster day and twilight sessions, and providing a qualification at the end (something to aim at over a substantial amount of time). There is a wealth of research to back up why these kind of projects have such impact, but probably the most accessible is Daniel Pink’s book ‘Drive’.

MODEL 3 – 2+1+2 = More than 5

It is hard enough to entertain people on a PD Day, but what if your ambitions stretch a little further. One trainer, Cath, was given the task of engaging a whole school staff in teaching and learning over the course of five PD Days. She decided to use TEEP level 1 as a framework, but adapted aspects of it to fit the context of the school. She took the first two days back-to-back in early July 2009 and used them to enthuse the staff in the process of creative teaching and learning. The days were high on engagement and group work, but ended with a lesson planning challenge that left people with something to try out in their lessons after the course ended. They were encouraged to collect artefacts that illustrated their experiments in the classroom.

Three months and a few gentle reminders later, the staff were back for Day 3. Experiences were shared and more flesh was put on the bones of what an engaging and creative classroom might look like in that school. They discussed PEEL procedures and thinking skills as a way to increase challenge and set themselves a challenge before Day 4.

After another gap, the group convened for Day 4 and 5 and shared experiences before analysing lessons plans created by teachers from other schools. This provided a distance so that constructive criticism could take place and this could be related to good practice within the room. The final sessions focused on the wider actions of teachers and learners and how this affects the classroom. Like all good units, the course ended with a creative task.

The advantages of this approach were, according to Cath, how it encouraged greater creativity and built in specific points of reflection and also how it created more group identity with everyone wanting to find out about the ideas of others. This is a key point, how many schools actually build reflection into their PD programme? After a successful day on a ‘school priority’ how to schools organise feedback and evaluation? Having a coherent course that runs over all PD Days in a year means that you can achieve this. There is the possibility that some of the key threads might get a little disjointed with this method, but it has to be better for the teacher than trying to make sense five separate days. The whole approach is about making sense of things: shared courses, shared language for learning, shared responsibility. Even though the course lasted 5 Days, the learning and impact happened in between as well and made the programme more than the sum of its parts.

MODEL 4 – Viral CPD (Hull)

Hull was one of the first authorities to grasp the power of having a single training programme to offer all teachers that come to work in the city. They have offered a coherent programme to all staff that is engaging and carries a qualification (TEEP Level 1). This is accepted by all schools and all teachers know that it is on offer. This means they can offer greater incentives when trying to recruit; and the same package is offered to all (GTPs, teachers in Secondary, Diploma tutors, etc).

The package offered is absolutely voluntary, but has attracted a wide acceptance because it has gone viral. Word of mouth and positive lesson observations have attracted the attention of senior leaders and other teachers. Where individuals have expressed an interest they have been placed in groups with people from other schools and begun to collaborate. What is even more impressive is that many of the training days take place in school holidays, but the perceived impact of good quality training has attracted the numbers anyway. There are mild incentives (overnight stays, meals, etc), but the improvement of practice seems to be the top motivator, that and the additional reward of points towards a masters.

Where senior leaders have taken on the challenge, the training programme has moved to a whole school model, similar to the one outlined above. For those schools with an Ofsted rating satisfactory or lower there is additional support.

MODEL 5 – Saturday Morning Fever (Sunderland)

This was similar to some of the ideas outlined above: a series of seven morning sessions for three hours each. The end result was a qualification in teaching and learning. It was offered to a number of schools in close proximity and was absolutely voluntary. It raised standards and creativity, just as in the 2+1+2 model and allowed for practical application between sessions. As noted above, it was amazing to see just how many people were willing to adopt this approach, willing to give up Saturday mornings to further their understanding of teaching and learning and be recognised for it. The aim benefit of this model was the amount of fun that generated – all attendees had chosen to be there and the weekend time slot brought a weekend atmosphere.

CONCLUSION

CPD seems to have more impact when people buy into it. If we can’t run it on a voluntary basis, then we need to make it coherent and long lasting. Senior Leaders need a long-term vision of where they want to go and plan a holistic course that will get them there. The idea of a qualification attracts some, but the prime motivator seems to be ‘getting better’ at teaching and moving on. If staff are given a reason to do something and a clear path through all the evidence suggests that they will give up time to achieve a goal. Above all though, the message comes through that CPD needs to be high quality and engaging – you have to admire schools like Lodge Park who have taken this into their own hands and ensured that this year’s CPD creates the Practitioners to deliver it for the following 12 months. Some serious (re)thinking needs to be done.

Related Posts: